Through the looking-glass. Storytelling beyond the known brand universe
Your brand crossed a threshold. Now the rules don’t apply.
I. Prologue: The mirror that refuses to reflect
Some mirrors tell the truth. Others tell stories. And some, the oldest ones, the ones tucked in the wrong corners of quiet houses, are doorways.
In Through the Looking-Glass, Alice (in Wonderland) does not find herself reflected. She finds a world that looks like hers, but isn’t. She finds a space where everything familiar is stretched and bent, where logic hums a half-step out of tune, and where the safest thing you know becomes the slipperiest.
Your brand, if it has lived long enough, has crossed such a mirror too.
There was a time when being known was the goal. When you wanted the audience to recognize you. To nod and say, “Ah yes, that brand”. To fit the reflection they expected.
It felt right, for a while. But then, quietly, something shifted. The recognition calcified into expectation. The expectation thickened into stagnation. The mirror you once polished now traps you in its frame.
And so, the real story begins. Not in the building of recognition, but in the delicate, dangerous work of disrupting it.
A brand story doesn’t end when your audience knows your face. That’s when the real game begins.
II. Mirrorworlds and brand myths. What happens when you become too known
There is a curious danger in being loved too well. In being too easily named.
Brands are not meant to stand still. They are meant to pulse and mutate, to shift weight from one foot to another when no one is looking, to move not just forward but sideways, because the straight road leads only to becoming a monument. And monuments, for all their grandeur, do not breathe.
When your audience thinks they know you completely, the dance ends. They do not lean in. They do not wonder. They do not ache to know what you’ll do next. They nod politely. They place you carefully on a shelf of other known things. And slowly, invisibly, you begin to gather dust.
It is not malice. It is the way the human mind simplifies what it no longer feels it needs to understand.
Alice does not stay in the warm living room. She craves the lands where flowers whisper riddles and time forgets its manners. She crosses because movement, not maintenance, is life.
So too with your brand. If it feels too safe, too certain, too predictable, it is already beginning to decay.
To stay alive in the minds of those you serve, you must become slightly unknowable again. Tilt the mirror. Let the reflection blur. Let them lean closer, trying to see what changed.
III. Refract the light. How to break the mirror without shattering trust

There are those who, realizing they have become static, smash the mirror in rage. Rebrand completely. Burn down their messaging. Start again from ash and splinters.
This is not what you must do. To evolve a brand is not to destroy its myth, it is to refract* it. To shift the angles just enough that the light falls differently, casting new patterns across familiar walls.
A queen in Looking-Glass world must walk backward to move forward. Flowers offer prophecies instead of petals. Time sometimes flows sideways, skipping beats.
Nothing is erased. Everything is altered. In brand storytelling, you do not abandon your symbols. You let them slip. You let them warp. You allow an echo of the familiar to ring strangely.
An email arrives that sounds almost like you, but the air around it shimmers oddly. A website shifts its colors not drastically, but like dusk falling over a well-known garden. A launch reveals not a new product, but a reshaped reflection of the values you always carried, now seen through a different lens.
This is an invitation to curiosity, not confusion for confusion’s sake. A beckoning to follow you into the mirror.
IV. Through the Heroine’s mirror. The journey after the journey
The classic hero’s story arc ends with a triumphant return. The world remains unchanged, but the hero is wiser, stronger, proven. The Heroine’s Journey tells a different story. In it, transformation is never solitary. It’s relational. Communal. It’s the kind of change that ripples outward, unsettling not just the traveler, but everyone and everything she touches and that touches her.
The return is not a homecoming to the world as it was. It is the realization that the world itself must shift to hold what has grown, healed, or broken open. The self changes. The relationships change. The landscape of meaning itself must rearrange.
When your brand grows, there comes a point where you realize you are no longer building the thing you began. You are inhabiting something else. Something stranger. Something larger. The rooms you designed no longer fit the conversations you are ready to hold. The language you crafted feels like clothing tailored for another body. The promises you made now need translation, or reinvention.
Through the mirror, Alice is not just a girl meeting herself. She is a girl encountering a reality that must now make space for everything she has seen, endured, and become. She is a girl realizing that reflection is not enough. That presence, action, contradiction are what make a life, not symmetry.
And so it must be with your brand. You are not returning to where you started. You are stepping into a world that must bend differently around who you are now, and around those you are meant to serve next.
Disorientation is not failure. It is evidence that you are no longer small enough to fit back into the old frame. To feel the ground tilt slightly under your narrative is to know you are still moving.
In other words, disorientation isn’t just inevitable. It’s proof you’re crossing thresholds too big to map in advance.
Success is not the end of storytelling. It is the start of a stranger, richer, less obedient narrative.
V. An invitation. Step beyond the mirror
There is no formula for this part of the journey. No checklist will tell you how to become something your audience still loves but no longer predicts. There is only the willingness to move differently. To tilt reflection. To speak backward sometimes, when forward has become too easy. To echo yourself, but not too loudly. To let your audience lean in again, uncertain but curious.
The brands that last are not the ones that stay recognizable. They are the ones that become landmarks in landscapes that are always shifting.
Let the mirror warp you. Let the rules fail you. Let the familiar twist and blur until something beautiful, unexpected, inevitable emerges.
Through the looking-glass your brand slips quietly, irrevocably, into legend.
*Refract means changing the direction of light, sound, heat, or other energy as it travels across or through something.